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Publishes reviews of current works in all areas of medieval studies.
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Cain resumes the biblical story of the genesiacs brothers to recount it in a heterodox way. Based on the canonical biblical texts, the ethical perspective of David Maria Sassoli and in ideological discourses, José Saramago (re)reads the life of the murderous brother by a desacralizing bias, establishing a process of discursive reorganization of the Bible and, consequently, of Christianity - an ideology rooted in the social thought that the writer Portuguese intends to resolve. Our proposal is to probe such ethical assumptions questioned by the novel. Thus, we will focus on the figure of the protagonist to reflect on postures, symbolic representations, narrative functions and ideological expressiveness. Let us, through our reading, decommthe kaleidoscopic clash that the skilled narrator stages to present an ethical proposal in dialogue with renewing ideals of today's society.
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This essay addresses intersections of gender and genre by exploring the complex ways in which the Book of Margery Kempe draws on other devotional texts, particularly those of Hilton and Rolle, on the lives of holy women, and on Kempe's own social and cultural contexts, in order to shape a unique type of life-writing. Attention is paid to the multi-modal sensory quality of Kempe's visionary experience, and to the privileging of voice across the book. Topics addressed include the ways in which affective and cognitive combine in Kempe's experience, the difficulty of placing inner experience, the paradoxes inherent in attempting to express the ineffable, and the radical quality of her attempt to write an inner life.
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Medical vocabulary; Greek speaking; medieval communities; Southern Italy; plant names.
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By unfurling worlds, narratives also create orders. In addition, their narration has to be structured in an orderly way, so the concept of "order" can be applied to literary texts in two ways: as the order(s) of narration and as narrated order(s).
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"This volume is dedicated to the cultural and religious diversity in Jewish communities from Late Antiquity to the Early Middle Age and the growing influence of the rabbis within these communities during the same period. Drawing on available textual and material evidence, the fourteen essays presented here, written by leading experts in their fields, span a significant chronological and geographical range and cover material that has not yet received sufficient attention in scholarship. The volume is divided into four parts. The first focuses on the vantage point of the synagogue; the second and third on non-rabbinic Judaism in, respectively, the Near East and Europe; the final part turns from diversity within Judaism to the process of "rabbinization" as represented in some unusual rabbinic texts. Diversity and Rabbinization is a welcome contribution to the historical study of Judaism in all its complexity. It presents fresh perspectives on critical questions and allows us to rethink the tension between multiplicity and unity in Judaism during the first millennium CE. L'École Pratique des Hautes Études has kindly contributed to the publication of this volume.".
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It is commonly known that Italian departments, or at least Italian literature courses, were inaugurated in Chinese universities in the 1980s. Less known is the period of the 1930s, in which a Chinese student who specialized in Foreign Literature at Tsinghua University obtained a scholarship by the Italian government to study in Italy for two years: Tian Dewang 田德望 (1909-2000) was the first Chinese student to study Italian literature in Italy. In the 1980s he became a famous professor and translator of Italian literature, and was the first to complete an entire translation of Dante's The Divine Comedy into Chinese. This paper is aimed at reconstructing the relation between the Chinese student and his Italian professor, Attilio Momigliano, and how the 'mobility experience' of Tian Dewang in Italy inspired and influenced his future academic career.
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The book series Andere AEsthetik - Studien (AAES) (Different Aesthetics - Studies) mainly comprises monographs and collections of scholarly articles that address the research programme of the Collaborative Research Centre 1391 in a disciplinary perspective.
Authorship --- Literature, Medieval --- History --- History and criticism.
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A journal dedicated to the art of teaching Medieval and Renaissance Literature. We are seeking academic, teachable articles that focus on, but are not limited to, the following: Authorship - Genre Issues - Narrative Structure - Poetry - Drama Epic - Nation/Empire/Class - Economics - History -Religion - Superstition - Philosophy and Rhetoric - Race/Ethnicity - Multi-Culturalism - Gender - Sexuality - Art.
Literature, Medieval --- Literature, Medieval --- English literature --- Study and teaching --- Study and teaching --- 1500-1700 --- Literature - General
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This groundbreaking new work is the first full critical edition and English translation of the Hebrew book Sefer ha-Pardes [The Book of the Orchard], written at the end of the thirteenth century by the Provençal Jewish author Jedaiah ha-Penini. It is purportedly an example of musar: a compilation of wise epigrams and meshalim [parables] that teach moral lessons on different topics, such as the service of God, friendship, the deceitfulness of the world, medicine, logic, music, magic, and poetry. However, it is in reality a compendium of sayings that reveal the author's personal views and feelings on a variety of religious topics, secular sciences, and their practitioners. David Torollo presents a fluent and illuminating English-Hebrew parallel text based on four sixteenth-century witnesses: three manuscripts and a printed edition. A rigorous study accompanies and contextualises the Hebrew work, exploring Sefer ha-Pardes's transmission and reception in different places over time; its structure and content; its place in the intellectual environment and literary tradition of Provence; and possible lines of enquiry for future research. This essential new work offers a significant contribution to scholarship in the field of Medieval Hebrew Hispano-Provencal literature.
Hebrew literature. --- Hebrew literature, Medieval --- History and criticism.
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